Fitoor takes after a youthful Kashmiri kid Noor(Aditya Roy Kapoor), his dream Firdaus(Katrina Kaif) and a fluctuating Begum(Tabu). The motion picture is an adjustment of the novel Great Expectations by Charles Dickens. Kashmir is the scenery to the adjustment and Abhishek Kapoor utilizes the representation of Firdaus being Kashmir and Noor being India and Bilal being Pakistan explicitly inferred by the line "doodh mangoge to kheer denge Kashmir mangoge to cheer denge" that Noor yells at Bilal.
The scenes including the youthful Noor and the youthful Firdaus are great. The scenes where the adult Noor is charmed with Firdaus are great as well. The scene where the more youthful Begum gets discarded by her darling Mufti is great as well. The scene where Noor’s sister gets murdered is the best scene of the motion picture. Every one of the melodies are great and they are utilized great as a part of the motion picture out of sight. There is no lip adjusting included. The cinematography by Anay Goswami is great and a large portion of the scenes are perfectly shot. The depictions look incredible and the craftsmanship structures look great as well.
The principal portion of the film is great however the second half drags like anything and makes the motion picture depleting to watch. Begum is on a wheelchair in one scene and after that she is consummately fine in another scene. The flashback including Begum doesn’t generally disclose Begum’s intention to empower the youthful Noor and after that to make him extremely upset. The motion picture likewise helps to remember those Muslim socials from the 1950s/1960s where practically every character is a Muslim. Here too with most likely the exemption of Lara Dutta’s character everybody is a Muslim.
*Comment on the cast and the plot:*
Aditya Roy Kapur is exceptionally sincere as Noor, the poor fellow in adoration with the rich Firdaus. There is a sure helplessness to his execution which makes him being over and again controlled genuine. He brings out the Fitoor(fixation) in his character. Katrina Kaif looks ravishing yet she is terrible as regular when she needs to act in any of the scenes. Tabu is great as Begum and looks lovely in the principal half. Ajay Devgn has a little cameo and he is alright however his dialogs are difficult to comprehend in his first scene. Aditi Rao Hydari is great as the youthful Begum and the thought to utilize Tabu’s voice to name her is great. Rahul Bhat is great as Bilal. Lara Dutta is alright as Leena. The children playing the more youthful Noor and Firdaus are exceptionally well picked with their facial similarity to Aditya Roy Kapur and Katrina Kaif individually. The child playing the youthful Noor is fabulous and his Kashmiri pronunciation sounded extremely real. The young lady playing Firdaus is great as well.
*Direction:*
Abhishek Kapoor’s bearing is great in the main half yet it flounders gravely in the second half. He tries to make this wonderful energetic affection story and succeeds for some time just to swindle. The motion picture is still watchable for the exertion yet it isn’t the considerable motion picture that it tries to be.