See everybody! MSG and its spin-offs have an extreme contender. The name is Love Icon despite everything I can’t make sense of why it’s named so. Fundamentally, it is the narrative of a person named Aikkyaaksh who is looking for Sana, the woman he cherishes. Sana has been absent for some time and our legend doesn’t know where she is and why she has abandoned him. Indeed, perhaps she saw the film. Anyway, our on-screen character, chief, music executive, cinematographer, artist and lyricist Aikkyaaksh(yes, he’s every one of that) embarks to discover her. All the while, he loses all his cash, transforms into low maintenance vigilante, experiences maladjustment, sings and moves, despite the fact that the greater part of this is not really identified with his undertaking. Why this film was made in any case is a central issue. Additionally, calling it a film is flawed. Love Icon is more similar to a repetitive presentation of a portion of the most exceedingly terrible couplets at any point composed. The lead on-screen character cruises through the one and a half hours of running time without moving a facial muscle. Other than him, the main known face in the film is Rajpal Yadav, in a cameo, and that reveals to us a ton about this film. Have you been to a motion picture wherein you wound up respecting the magnificence of the silver screen corridor, the solace of the seats and the cool AC breeze?