Madaari sticks to a template similar to Neeraj Pandey’s A Wednesday, but doesn’t drum up the same urgency. The cops, led by a solemn-faced Jimmy Shergill, find themselves engaged in a wild goose chase for Nirmal, but there’s very little tension to this battle of wits. Also, Kamat’s depiction of a landscape altered by social media engagement and public opinion is real but sloppily handled. I’m going with two-and-a-half out of five for Madaari. Arguably one of the finest actors of our times, Irrfan Khan deserves films worthy of his talent. This one comes up short.
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