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3.3

Summary

Mangal Pandey - The Rising
Aug 18, 2005 12:52 AM, 1060 Views
(Updated Aug 18, 2005)
Tall on hype, short on delivery

The core problem with Mangal Pandey is that it is neither an authentic rendition of true historical events (a la Ajay Devgan starrer Bhagat Singh) nor is it a tale of the triumph of the human spirit against all odds (a la Aamir’s own earlier Lagaan). The film falls between these two stools and leaves the audience with a feeling of unfulfillment.


Human beings like to place each new person/place/movie/event they encounter into a familiar slot, much like a matching process. My guess is the audience hasn’t been able to do that with this film. (True, they didn’t do the same for many weeks with Sholay years back, but that’s another story :) )


Will Mangal Pandey pick up in the next few days, after people have forgotten the initial disappointment? Will people forgive the huge hype created by the movie’s marketing team and value the film for what it is, rather than what they expected it to be? Will the remedial promotions undertaken by the movie’s marketers succeed in drawing the disenchanted crowds back into the theatre seats?


Only time will tell. But I reckon not likely.


Epilogue: My favourite piece from the movie’s pre-launch hype was when someone said the film received a standing ovation at the Locarno festival. Well, in civilised societies, people stand up and applaud a piece of art out of sheer courtesy and decency!

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