Prem Ratan Dhan payo is a romantic dramatic movie of Rajshri Production.Salman khan found his most durable role in Prem, who took his dulhaniya away much before raj.salman khan playing double role in Prem ratan dhan payo and the lead actress is sonam kapoor.Prem Ratan Dhan Payo, also heavily colour coded via the Ramayan, draws heavily from Barjaytay’s previous work, with one glaring cosmetic difference.In the movie two salman, a commoner called Prem Dilwale and another is a prince called Vijay.They are identical looking, so you know where this is going from the get go.we don’t need the unbelievably thin script to tell us that the pauper will provide life lessons to said Neil Nitin who is the step brother of Vijay(salman), Swara Bhaska and Bhatia who are the step sister of salman, faithful factotum(Anupam Kher), and toss out pro-tips to his look-alike to win over the Rajkumari(sonam Kapoor).Prem Ratan Dhan Payo begins well, with Salman being set up as a playful Ram Bhakt and Deepak Dobriyal playing the hero’s best friend.A retro Ramayan is being enacted, with men playing female parts, and you settle down for some fun.But this extended interlude is the only thing in this with any zing.The rest of it plays out as an out-dated, overblown rehash of the Director’s own films embedded in an outlandish, improbable plot.There’s always room, you suppose, for yet another re-imagining of the Ramayan, and its’s million stories.Espeacially if it has salman khan, after all these years of practice, sliding effortlessly into being Prem, and lifting the film as much as he can, even managing quite miraculously not to giggle when his lissome, lovely co-star, laden in tasteful zardozi and industrial weight polka diamonds, hands him a feather, very Mughal-e-azam style, in between her other clothes-horsing and jiggle-jaggling.But not in this fumbling, confused, derivative way, where you can clearly see a director out of his depth and comfort zone, which had already started feeling moth-balled a while back.His last real success was Vivaah in 2006.HAHK, for all its extended home video stuffed with sagaai-joota-chuppayi-shaadi-vidaai, was all of a piece in Prem ratan dhan Payo nothing belongs, nothing is a fit.Didi’s dewar Salman target saali Madhuris saucy, jutting butt, and the moment turned iconic, being respectful of, yet breaking tradition, innocent flirtation about to go to the next level in full public view.A lot has changed in the Hindi film industry since 2006, the last time Sooraj Barjatya’s name flashed across the screens as a movie’s director.His Vivaah did not exactly set the box office on fire, at least not on the lines of what his earlier film Maine Pyar kiya, Hum aapke Hain Kaun and Hum Saath Saath Hain did on the ticket windows.Cut to 2015 and Barjatya has now rehashed the same formula in his latest venture, Prem ratan Dhan Payo, complete with a masterstroke.He roped in salman khan to up the film’s star value a million notches.There is a problem however.Prem Ratan Dhan Payo leaves you asking one big question.Are we ready to gulp down a mouthful of cheesy romance that is high on ideals and moral values?after some heavy duty emotional scenes, he manages to enter the fort, but is left aghast at the deceit and treachery of a royal household.Prem, along with his friend kanhaiya, decides to be a part of all this, of course with noble intentions.Come on, this is Rajshri Film, not any Anurag Kashyap narrative.Salman Khan set a benchmark for the ultimate Boy scout with his Bajrangi Bhaijaan act, and now he surprises us even more.His Character is so virtuous that you will walk out of the theater fighting a morality crisis.