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pranay -@pranay22
Feb 15, 2007 12:27 PM, 7624 Views
(Updated Feb 15, 2007)
The ten bests of Hindi cinema

I have always been a movie buff, though I have a regret: I have missed


out on many yesteryear classics, especially those Guru Dutt/Bimal Roy


works. And those which I watched from that era, were something I didn’t


like much. So pardon me for not including some of the greatest works of


Indian cinema, but the list which I will compile now is strictly a


personal choice, and I hope readers will appreciate my choice of films.


So here goes my list of Ten best Hindi movies Bollywood has ever produced:


ANAND: It would have been better if our Karan Johar had


taken some tips from the great Hrishida about what family viewing is


all about. To be frank, I was never a great admirer of superstar Rajesh


Khanna, but this is one performance which bowled me over; and according


to me this is Amitabh’s one of his finest portrayals ever, before he


fell into the angry young man image. This film is one which I can watch


any number of times, and can still make me smile, laugh and cry


throughout the journey. Hats off to Hrishida, for making such a gem.


GOLMAAL: Pardon me for including another Hrshikesh Mukherji


film, but I must tell he ranks among my favourite directors, and


Golmaal is the reason why: a complete joyride from start to finish. A


killer script, solid chemistry between Amol and Utpal Dutt, hilariously


funny situations, and great music make it a classic comedy. Can watch


it anytime, any hour of the day.


JAANE BHI DO YAARON: Easily the best comedy Bollywood has


produced. An extraordinary funny film and a zabardast satire, JBDY’s


Mahabharat climax is the funniest scene I have ever watched in any film


of any country. This one also had some terrific comic performances from


Naseeruddin Shah, Ravi Baswani, Om Puri and Satish Kaushik. Despite


being such a comic classic, it never goes overboard in its climax, and


shows the true irony of life: Keep hoping, Hum honge kaamyaan, ek din. Brilliant!


MR INDIA: Aahhh, what a film! I must have watched it over 50


times as a kid and still never got bored of it. This was a perfect


kiddo film, and had a very novel concept considering Indian films had


never as such experimented with special effects before. Thoroughly


entertaining, it was fantasy fun at its best.


LAMHE: This was Yash Chopra at its best. Creating heart tugging


romantic moments and making you believe in the power of love,


generation gaps not being a barrier was something which only Yash


Chopra could have achieved, which had ample scope of turning into a


disaster (I dont mean boxofficewise). Lamhe ranks amongst Bollywood’s


most romantic films till date.


DILWALE DULHANIYA LE JAYENGE: Here comes Shahrukh Khan. A


loverboy with a difference. And then there’s Kajol. Perhaps the first


unconventional beauty in a typical commercial film. Result: The


greatest love story in Bollywood ever: each and every scene was a


treat, and Raj - Simran remained etched into the memories of every


teenager, every person in love at that point of time.


DIL SE: This one is easily the best Mani Ratnam I have ever


seen. Sheer poetry onscreen, this one had some really passionate,


intense romantic moments carried out by power packed performances by


its lead pair. The music by AR Rehman was an all time classic, and


Santosh Sivan’s cinematography was a treat to watch.


LAGAAN: A film which redefined all rules of entertainemnt. A


film which turned theatres into stadiums when it got released. A film


which had a perfect screenplay, a perfect storyline and perfect in


almost all technical departments. This was a turning point in


Bollywood, and dared filmmakers to break rules and experiment with


different concepts. Watching Lagaan in theatre is one of the special


moments I can never ever forget.


BLACK: Bhansali translated his vision into poetic brilliance on


screen. This one had me searching for hankerchiefs every now and then.


People still complain of its pretentiousness, but Bollywood reached to


al all time high with Black. Amitabh Bachcan, Rani Mukherjee were at


their best here, not to forget the small wonder, Ayesha Kapoor.


LAGE RAHO MUNNABHAI: Rajkumar Hirani with his solid script and


near perfect screenplay gave us one of the most special films this


decade, this was the best Gandhi film ever. A film which makes you


laugh, cry, smile, clap and teaches all moral lessons related to


corruption, bribery, humanness, public manners, taking care of the


older generation all at once. Who said Gandhigiri/Gandhism was a thing


of the past?


Notable mentions - Guide, Sholay, Chupke Chupke, Saaransh,


Ardh Satya, Kabhi haan kabhi naa, Jo jeeta wohi Sikander, Hum aapke


hain kaun, Andaz apna apna, Satya, Hum dil de chuke sanam, Hera Pheri,


Munnabhai MBBS, Iqbal, Rang de Basanti and Omkara.

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