DiCaprio’s crude execution hoists what could have been simply one more man-versus-nature show. An arresting adventure of torment, coarseness and the savage good relativism of retribution, the first law of all, and the one and only that mattered in those days. The Revenant is one of the best photos of the year.
This severe survival story is so effectively fascinating that, notwithstanding the unmistakable impediments of his monochromatic, gaudy approach, the film’s convincing development tends to override the authentic criticisms.There’s a feeling that the entire doesn’t exactly measure up to the entirety of the parts, regardless of how awesome some of them are.