Krishna travels hundreds of kilometres from Tamil Nadu’s Coimbatore to Mumbai with a single dream - to marry a ‘modern’ girl who speaks “English without grammatical mistakes” so that his future kids can speak the language fluently.
Circumstances in his family force him to marry a village girl against his wishes. But when this ‘village girl’ transforms into a ‘modern girl’, wears short dresses and speaks fluent English, he does not quite like it.
Krishna ( Prabhudheva) is the protagonist in Tamil director AL Vijay’s debut Bollywood venture, Tutak Tutak Tutiya. The movie, which marks the debut of Sonu Sood as producer, defines male chauvinism: The hero wants to marry a modern girl but when he gets one ( well, in parts) he is not impressed.
The psychology that works behind such storylines and makes films like these work, is a major problem with our movie industry.
Tutak Tutak Tutiya is supposed to be a light-hearted movie with all the elements of an entertaining, masala film.
Krishna is forced to marry Devi ( Tamannah) , a village girl and plans to hide her in a flat in Mumbai so that none of his friends discover he is married. But there is a twist in the tale. A ghost stays in the flat- Ruby, an aspiring actress who committed suicide when her first film was cancelled. Ruby possesses Devi and uses the latter’s body to fulfil her dreams of becoming a successful actor. When Krishna finds this, he tries his best to get rid of the ghost. The film traces his struggles in the journey.