It very differently love . My eyes are still giddy from the splendour( camerawork Sudeep Chatterjee) they witnessed - in the lamp-lit incandescence of the 18th century Maratha Empire; the barren, blood-embracing landscapes laid out for battle; the aureate reflections of the Aaina Mahal, the ethereal quality of a Raja Ravi Verma painting seen in Kashi’s, Bajirao’s first wife, backyard. It’s all immensely satisfying, even if not adequate for the soul.