Nice movie and offcurse its all one of other marvel The movie itself is spotty, but it gets better as it goes along. That’s not hard, since the opening scene on the planet Hala is weightless and the subsequent battle sequence poorly staged and shot. As directed by Anna Boden and Ryan Fleck, the film often recalls not Star Trek or Star Wars but Starcrash, a painfully clunky Canadian knockoff with Marjoe Gortner, Caroline Munro, and Christopher Plummer ( as a hologram) doing his bit for his homeland’s ’70s tax shelters. The Plummer equivalent in Captain Marvel is Annette Bening, who as the “Supreme Intelligence” speaks to Vers on one of those misty soundstages that in sci-fi movies symbolize the realm between fantasy and reality — but who also shows up, mysteriously, in fractured memories from C-53. Easily one of my top-five favorite living actors, Bening is more naturally suited to roles in which supreme intelligence collides with supreme emotion. Also, when she has some halfway speakable lines.
Captain Marvel doesn’t really get going until Vers falls to C-53 and crashes through the roof of a Blockbuster Video ( they were a thing in 1995, when the film is set) and Samuel L. Jackson shows up with hair and two eyes. Jackson’s Nick Fury has been de-aged with CGI but not alarmingly so, at least compared to Clark Gregg as Phil Coulson, who loses not just lines but character lines. His face is like a white smudge. Although the head of the burgeoning S.H.I.E.L.D., Fury acts like a cop at this juncture, which means he and Vers can do mismatched-buddy banter while dodging the Skrulls ( led by Ben Mendelsohn) and, later, the mega-weaponized Kree, led by the film’s biggest mansplainer, Yon-Rogg ( Jude Law) — who’s always telling Vers that her emotions are making her too vulnerable to be a good fighter. Many of the Vers-Fury punch lines go thud, but I like that the filmmakers have tried to create some warmth between the characters. Fury is usually such a cold fish. Here, he’s a kissy-poo cat fancier.