I bought’City of Bones’ when it first came out, but put off reading it for a bit. The last couple of Connelly’s novels about Detective Harry Bosch seemed a bit off pace, so I was waiting for a tolerant moment. Once I started reading I discovered that my premonitions were wrong, and that this was going to be a high water mark in the eight volume series.
Michael Connelly has a trick of creating an introspective mood without actually making his characters become solipsistic, and’City of Bones’ at its deepest level is about Harry Bosch coming to grips with his own beliefs and needs. This subtext threads its way through a case involving the 20-year-old corpse of a young boy found buried in a small plot of woods. Cases this old are rarely soluble, but somehow just enough information keeps coming to the surface to keep Bosch and his partner, Jerry Edgar, working away at the case. Gradually Bosch becomes fixated on the case as its ramifications begin to have echoes in his own life.
One of the key factors in Bosch’s character development is a new relationship with rookie police officer Julia Brasher. She is the officer on duty at the murder site, and is drawn into the investigation. This relationship becomes the model for all the other relationships in the book; especially those Bosch has with his partner and his work. In the end it triggers something unexpected in the older detective, and will eventually cause him to make some surprising decisions.
Beyond the character level, the plot is tightly drawn and well paced. Generally, a story that turns on forensic police procedure is interesting rather than exciting, but Connelly has goes to great lengths to prove that this does not have to be the case. There is a surfeit of plot twists and the high emotional pitch will keep the reader on tenterhooks - a delightful form of torture, too rarely experienced in the present.
Obviously, I enjoyed the book. I found myself intentionally slowing down my reading speed in order to extend my pleasure with a writer whose minimalist style always seems to have more to say than the efforts of wordier contemporaries. This is a milestone in the Harry Bosch series, but hopefully not its last, shining moment.