Attempts to be both a jump-scare laden spook show and a tender tale of a mother and daughter learning to live with each other again, but it doesn’t much succeed at either. There’s plenty of creepy flourishes that director James brings to the proceedings, with some genuinely unnerving moments involving rail-thin specters slithering out from the darkness. But there’s literally nothing here that hasn’t been done in approximately ten thousand other horror films, and it gives the film a playbook vibe — as if the director is running through a checklist of cliches that must be added.