Finally, the wait is over and Aamir Khan is back with his customary single release of the year. Unlike his previous releases, this time around the hype created en-route to the D-day of the movie was something extraordinary. Aamir’s new scarred-hairdo and dream-physique was creating waves amongst movie-freaks and in process provided the additional impetus to the interest generated for Ghajini. Aamir undertook the publicity job on his experienced shoulders and left no stone unturned to make sure thatGhajini hits the jackpot. All said and done, the real test awaited him when the movie finally hit the silver screen this Christmas. Let’s find out whether Ghajini has similar brain-n-brawn à-lahis superstar protagonist:
To kick off, I want to reiterate the fact that Ghajini is a remake of its tamil-namesake which in turn was loosely based on the Hollywood flick “Momento”. Would like to leave the obvious comparisons to my Southie-counterparts, and moving forward will treat Ghajini as the independent Bollywood product. Ghajini marks the debut of the director A.R. Murugadoss in bollywood fray who has successfully directed the tamil version of the flick in question. The supporting cast, the action sequences and the whole look and feel of the movie resembles a typical south Indian movie; so much so that it looks a dubbed version rather than a remake. What makes a difference isthe flawless display of umpteen antics by Ace Khan.
I guess this is the firstever movie where script demanded his grotesque actions and demeanor to speak louderthan the words, and that explains the minimal dialogues in offer for him. AamirKhan’s character has a two-pronged shades; One as a young, suave businesstycoon that meant to be subtle and affable and another as a revenge-pronekilling machine with supreme level of wrath and vengeance. The latter demanded moundof ultra-emotions with all the scowling and bellowing at display and not toforget Hrithiksque perfectly chiseled body; no marks for guessing, Aamir does allthis it with ridiculous ease. Another winner is the core plot which enthrallsto the tee and has all the ingredients to churn out a perfect thriller withlove, romance and individual performances as an add-ons.
After Genelia and Shreya, another hotshot South Indian actress Asin embarks her “Bolly-journey with Ghajini”.Playing a complete babbler, she does full justice to her role that had lotzz of positive effervescence; add to it her infectious smile and pretty face you would know she is here to stay for sure. A. R Rehman’s music, as always, is oftop notch quality. “Guzarish” and “Behka-Behka” sounds soothing for ears and looks good on screen with some innovation involved with the picturization ofthese songs. “Kaise Mujhe” is made special with some profound emotional lyricsand soulful singing by Benny Dayal. “Lattoo” and “Ae bacchoo” are mere fillersand doesn’t deserve a mention.
The drawback of Ghajini is its pacewhich slackens in patches; especially the editing needed a tightening-up exercise in flashback sequences. The main antagonist plays an integral part in Ghajini and that in turn defines the plot and its proceedings. Pradeep Rawatwas called on-board to play the villian’s role as he has done in its Kollywood predecessor. He just fails to make any impact and incidentally this integral characterization of Ghajini goes kaput. The casting dilemma continues with selection of Riyaz Khan (who has played the same role in Tamil-Ghajini) for a short but important role of a Police investigator. This is interesting to be seen whether this “casting-ouch” will prove costly to the makers of the remake or not. De-glamorized Jiah Khan was like a soda without fizz and flatters to deceive sans her forte aka oomph.
Harjeet’s Verdict- Ghajini: Atypical Bollywood entertainer with cosy love story commingled with sprinkled humor, revenge drama and unique core plot. If above mentioned loopholes are tolerable enough then Ghajini deserves a shot; else find solace and Stay inPeace.
Harjeet’s Verdict- Aamir Khan: In order to portray an apathetic individual who was put on an ordeal after being driven into traumatic experience, Aamir shows a complete new facet of his versatility. I would conclude from where I started my TZP review:
“Take a bow, Aamir….Take a bow”.
Harjeet’s Verdict- Star Sign: 2.5/5 for Ghajini and 5/5 for Aamir. Take your pick, watch andenjoy for three hours…..and let it be “lost within short term memory”.