I’m going to share my experience about this movie this is a good movie for the spectator.
Ishq Tera is a 2018 Indian Hindi romantic film directed by Jojo D’Souza and produced by Deepak Bandekar and Rajkumari D’Souza. The film is releasing on 27 April 2018. The film features Hrishitaa Bhatt, Mohit Madaan, Mozhgan Taraneh, Shahbaz Khan as
Ishq Tera is based on real-life events of a woman with a broken mind and a man with a broken heart. The story of how men prey silently on this one disturbed woman as her man fights to free her mind and win her heart, again and again, and again.
Are we all who we seem to be, or is there someone else inside of us? Can Dr Samira keep her emotions aside to cure her best friend or is she in love with her best friend’s husband? Is the husband who he says he is or is he the one responsible for her madness and the prime cause for her broken mind and broken heart? What if you fell in love with a young lovely woman and that too on the day her mother gets shot and her little brother is murdered in front of her, deliberately or by mistake by supposedly her own father.
There’s a madness that is real. Where one person is one person with multiple personalities or maybe not, feel the pain of a broken mind Live the journey of a broken heart with Ishq Tera.
Ishq Tera Movie Review:
“Ishq Tera” is a film that approaches its subject so blatantly that it almost screams deafeningly. The story wants to be about love, but is also about madness, and somehow it does not weave the two together with a charm that would otherwise be heart-warming in real life.
Apparently based on real life events, it is the story of a schizophrenic and her devoted husband. Their tale lacks chemistry, history and geography. The narrative begins with establishing that Kalpana ( Hrishitaa Bhatt) had an abused childhood. Traumatised after the death of her sibling and mother, she suffers from schizophrenia and her personality alternates with her alter ego. During her good periods, she is docile and demure as Kalpana and she is outrageously flirty and abusive to mankind as Laila, during her bad times.
Between the periods of her insanity, Kalpana meets Rahul ( Mohit Madaan) who gets besotted with her. They get married. But their romance is not made in heaven for there is no-chemistry between them and one fine day, Kalpana announces that she is pregnant.
Six years later, Kalpana still suffering from her mental illness, leads an independent life along with her daughter ( Kavya) . She works in an advertising agency facing sexual harassment from her boss ( Manoj Pahwa) and falls in love with her colleague. Rahul lurks in the background of her life, hoping that his love and patience can help Kalpana overcome her problem.
The script, credited to the team of four; Manoj Srivastava, Sapna Naik, Diksha Singh and Director Jojo D’souza, is absurdly tedious and convoluted. The plot and the dialogues are mediocre and amateurishly crafted. Needless to say that the narrative has no consistency and it meanders at points. On the directorial front, there are scenes that are shoddily mounted. Also, the characters are shallow and cardboard thin with no depth or motive.
With decent production values, which includes Yogesh Koli’s cinematography, Sapna Naik’s editing, Sagar Dhekane’s art direction and songs sung by Shreya Ghoshal, Sonu Nigam, Sunidhi Chauhan and Siddharth Mahadevan, the look and feel of