blue disco lights [ symbolising illusioned atmosphere], shankar mahadevan’s haunting vocals, PREITY and ABHISHEK enjoying on one side, their spouses making love on the another, and the song goes... WHERE’S THE PARTY TONIGHT ? SOMEWHERE DOWN THE ROAD ! WHERE’S THE PARTY TONIGHT ? ON THE DANCE FLOOR ! POOR KANK haters, couldn’t understand such a nice symbolic shot. if two people are unhappy with their marital life, and to add to it meet a person whom they wanted their spouses to be like, they are sure to forget their true identity for a while.
okay, DEV and MAYA were wrong, but so were RISHI and RHEA. [ to an extent ]If some think they were not, then they will have to agree that RHEA and RISHI were too good for their spouses.poor KANK haters they will understand AMITABH BACHCAHN’s frustration in ABHIMAAN. but they wont’ pay heed to DEV SARAN’s anger b’coz it was played by SHAH RUKH KHAN. poor KANK haters when AMITABH and REKHA in SILSILA go out of their marriage to re-kindle their relation, they call it ROMANCE.when SHAH RUKH and RANI do the same, they call them HEARTLESS.
poor KANK haters they sympathise with ABHISHEK and PREITY, who as much as they may have loved RANI and SHAH RUKH in the movie, remind them of their weaknesses [ which is only but natural ], and then complain later, "YOU NEVER LOVED ME AT ALL" poor KANK haters they don’t notice the common habits of arrogant people like DEV who are always keen to strike a conversation or give advices to any tom, dick or harry, let alone a pretty soon-to-be-bride.poor KANK hatersthey don’t’ understand the fact that DEV and MAYA didnt’ break their marraige, they just forgot their marital responsibilities for a while and followed their heart for what KARAN JOHAR portrayed as TRUE LOVE.
poor KANK haters they don’t understand that DEV and MAYA tried to make amends for their mistakes. who didn’t let that happen were RHEA and RISHI were equally imperfect who called for divorce after not being able to bear the infidelity their spouses had been doing with them. poor KANK haters they must have been living in their IVORY TOWERS f or years before they came out to watch KANK.reasons :# they don’t meet people like MAYA who is dull, boring, but sensitive.
Who married out of obligation but can’t afford a child-like [ read it as childish ] husband like RISHI.# they **don’t meet parents like DEV who want their children to carry their profession.but SRK will be panned for doing the same b’coz the film in case is KABHI ALVIDA NA KEHNA. # they don’t read newspapers which keep up coming with reports that PARENTS beat their childen to death just b’coz they failed in an exam. but SRK is blamed for being so harsh to his son just b’coz the movie in case is KABHI ALVIDA NA KEHNA. # they don’t meet people like DEV who are angry for their wife is the bread-winner of the house.
more so, considering the fact that he deserved much more than a primary school football coach.okay, KANK was deliberately glamorised and fashioned for N.R.I.s okay, KANK had a slightly weak scriptingokay, KANK dragged a li’l bit towards the climax but...that lessen KARAN JOHAR’s credibility in handling the subject. the only mistake JOHAR really did is while writing SEXY SAM’s character. that character should have retained to a casual flirt.never mind, karan ! keep making such films, as long as u think u r right !