This continuation coordinated by Sujoy Ghosh following a crevice of four years is a whodunit that certainly serves up interest, yet neglects to keep a tight grasp on procedures all through its term. So not at all like the initial segment, that hit the ground running and set a benchmark in the class, this one does not have the shark-nibble. In any case, you do put resources into Vidya Sinha, a harrowed, working mum from Chandan Nagar in West Bengal and her crippled adolescent girl, who like most white collar class individuals defeat obstacles to experience the monotonous routine. To such an extent, that when Mini disappears and Vidya meets a mischance, there is a feeling of void. Enter, Indrajit(Arjun Rampal), the cop-working on it, who is the first to find that the lady in a state of unconsciousness looks like Durga(Vidya Balan once more!), a school representative from Kalimpong, who is an outlaw on-the-run.
Here say that the film works in light of the fact that Vidya the mother or Durga the killer are both convincing and strong characters. Similar to the cop sorting the secret out. Furthermore, to give out much else about the plot is out of line.
Shot significantly during the evening and on genuine areas, the film has the real surface. On the off chance that you experienced passionate feelings for Kolkata in the 2012 excursion, you will love Kalimpong here. The foundation score gives stomach-hitches(as it must) and the camera work is great.
Vidya, shorn of make-up and allure easily gets through her double part in autopilot mode. Arjun awes as the cop craving for an advancement and is credible as the spouse. In the event that you have a hunger for thrillers(yet, with a few imperfections) try this one out.