Nice movie
I like it
Become this movie story they have proved that they don’t care what filmgoers will make of this film. Machine is the kind of film the director-duo would have got away in the 90s. Or maybe not. Even the squelchiest of plots need some acting chops and charisma: none of the young people, including the debutant Burmawla, is in possession of these crucial ingredients that makes a star.
From the very first frame, Machine challenges your intellect and defeats you in the exercise. There is an unmistakable humour that runs through Machine; it begins right from the opening scene. Imagine an opening frame that shows a camera aiming at an eardrum all along taking us through the maze of its insides.
College boy Ransh ( Mustafa) meets rich father Balraj Thapar’s ( Ronit Roy) emotionally weak daughter Sarah ( Kiara Advani) . They fall in love and get married, but don’t live happily ever after.
Later, the directors take Machine to another level, literally, when you see human beings defy gravity, wafting through the air like a feather before hitting the ground or hanging aloft pine trees without them even bending as much when birds perch on them.
Half a dozen people get killed for reasons best known to the directors. Somehow they thought they would be able to connect the dots and make Machine a coherent story. Alas, that doesn’t happen and Machine becomes as discreet as its opening credit, which shows a camera entering a human ear and reaching heart through abstractly imagined ear canal.
End of movie hero like it Heroine. I love this movie .