In between is leading man Hrithik Roshan as poor indigo farmer Sarman, a resident of village Samri of the Sindh province, who has set his heart on going to neighbouring big town Mohenjo-daro. That is where, he is convinced, lie his fate and fortune, and an animal with one horn. Mohenjo Daro, set in Mohenjo-daro of the Indus Valley civilisation, is bigger but certainly not better than these two Gowariker’s earlier outings. The sepia tone of the earth and the dwellings is balanced by an array of costumery: everyone looks like they have been handed out unstructured earth-toned garments, which follow the latest fashion du jour. And lest you thought they were not accessorised to the hilt in 2016 BC, perish it: the villainous chief wears a headgear of horns ( the happily hamming Kabir Bedi, who carries it off with a raffish air) to an alarmingly tall crown of what looks like feathers, coins and shells sported by the leading lady.