This movie alla bout -A 70-year-elderly person changes into her 24-year-old self after she’s shot at a studio, completely changing her and those of the general population around her eternity.
There’s a ton to like about Oh! baby. The way where the old woman carries on like a young lady in her 20s is humorous. The composing is direct, the music(by Mickey J Meyer) is dynamite and the acting is first rate. There’s a minute when Samantha takes a gander at her child and jumps out of her seat to welcome him, just to understand that she’s not his 70-year-old mum but rather an alternate, a lot more youthful lady. Child’s problem is a delight to watch. Her swinging feelings, inward evil presences, botched chances, passionate longing — all go to the fore.
Be that as it may, the film regularly seems to be a bit excessively sensational, particularly towards the subsequent half. A run-time of about 170 minutes is a bit excessively long, and there are many minutes where the film veers far from its cheerful nature and turns into somewhat of a sobfest. A portion of the enthusiastic scenes are very much shot and contacting, however there are a greater amount of these scenes than would normally be appropriate.
The main bandy about Oh! baby is its music. For a film where the hero needs to be an artist, the music doesn’t exactly pack a punch, in spite of the fact that couple of tunes agitate a lot of feelings in view of the circumstance that the lead character ends up in. There are a couple of segments, in the subsequent a large portion of, that outstay their welcome, yet the fundamental feeling makes up for such weaknesses. As far as how the supporting characters are dealt with, it’s additionally astonishing that the grandma doesn’t interface as much with her granddaughter.
At last, Oh! baby discovers a lot of strong ground to discuss issues that we don’t regularly find in standard movies and Nandini Reddy merits a pat on her back for the affectability that she brought into the film. It makes the watchers see our general surroundings through the eyes of the hero. One of my preferred scenes in the film has Samantha discussing how she needs to live one more day just to sense that to be taken a gander at by somebody who’s enamored with her, I teared up, a bit. Perhaps that is what Oh! baby is extremely about. The manner in which you take a gander at individuals you adore and how they see it.