‘We want work’, ‘We are widows’, and ‘We are not political’. Few burqa clad women chant this and display it
on placard while taking out a rebellion on the Taliban ruled streets of Afghanistan one day. A young boy Espandi(Arif Herati) is shown smoldering away the curses and asking for a dollar from the firang journalist who is filming this procession. A woman, name not known(Khwaja Nader) accompanied by her daughter, name not known(Marina Golbahari) are on their way to hospital where the mother works as nurse. Suddenly Taliban strikes and procession goes violent. Woman, her d
Osama
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aughter and Espandi take protection in a house. The girl unhurriedly peeps through the door ajar. Her misty eyes see the brutalities of Taliban and tears roll down her cheek.
Soon the mother-daughter duo get to know that they are rendered penniless as the Taliban has closed down the hospital. At home in night whilst cooking the meal mother breaks down and longs for a man in family who could support them as her husband and brother had died in Russian war. She then blights looking at her daughter, ’wish I had boy’. The third female in the family, the grandmother is arranging the young girl’s hair into neat braid and narrates a bed time story to her as how passing under ‘Rainbow’ can make boy a girl and girl a boy. Granny suggests the mother to cut the girl’s hair, make her don her father’s clothes so that she can be passed as a boy and can earn a living outside. The girl objects but this is the last resort left to the destitute family.
Upon being disposed to work in a tea shop, the ordeal starts for the girl. She is continually terrified at the thought that her secret will be out any moment and walks to work and back home in constant fear. The words spoken are less but those scenes are well shot as the fear shown on the face of girl is to feel sorry for. She emotes marvelously through her eyes. Espandi, the boy who had seen her before recognizes her in an instant but settles to keep it a secret in exchange of few dimes.
The tribulation for her is never ending, what with few doubting eyes following her once till her home and also when the owner of tea shop takes her to a mosque full of men to pray. But the ultimate one is when she along with all the boys is taken confined by Taliban to religious school so that young boys can be trained for the war. There amidst all boys she tries hard to behave like a boy but in vain and is soon being called a nymph by all including the Mullah who teaches them the ablutions to be performed by male to conquer the wet dreams apart from Koran. Her feminine looks and behavior could not be hidden and all boys start teasing her. Espandi comes to her rescue when few ask her to drop her Pyajama so that they can be sure she indeed is a boy. Espandi chases the other boys away and when few ask for her name christens her ‘Osama’.
Espandi comes to her rescue most of the other times but even he could not do much when her true identity is revealed in one of the most disturbing scenes I have ever seen. Espandi sees her and cries helplessly for her while she is chased by all in the confined walls of school. She is taken captive and is sent for a trial.
Without disclosing what happens next, the film definitely doesn’t end on a happy note. It is a dark cinema where each frame of it can melt any heart. The protagonist Osama(Marina) and all other characters are real and picked from the streets of Kabul. Marina herself was a beggar when director spotted her and took her in his film(Source Wikipedia).
When I got my hands on this movie, I had no idea that this movie was world-acclaimed and had won many awards. I also had no clue that the actors were picked from real life. After watching the movie and doing search on web, I was amazed to know how she could have done such a role with utmost ease of a pro. I saw it again and felt the same heaviness in the heart which I had experienced before. We all know how a particular scene or a sequence can bring a lump in the throat but what would you call a movie where you have bulge and the lump throughout. I would call it a masterpiece.
Director Siddiq Barmark can be without doubt termed a genius as it takes humongous guts and effort to make immature or call it amateur actors enact the psyche of people from a war-trodden places. The editing is top class and could not get better. The poor and tattered neighborhood is captured in a basic way and as the film is shot in real locations gives it an intact look. Screenplay at times looks cut to short as per expectation but you soon realize it is intentional.
The film not for once looks off track or displays any irrational angle to it in its 80-odd minutes of running. Few scenes that need special mention here are:
When the girl after her hair being chopped off plants one of the braids in the mud-pot and waters it in the night in hope it never ceases to grow.
Women are singing and dancing as there is a marriage in the neighborhood but soon Taliban barges in upon hearing the clatter. Women speedily assemble and start crying pretending there is mourning and not a celebration. Pheew. What a pity.
The first time when the girl steps out of her house as boy and walks the street, she is scared stiff and alarmed at every step. You can experience her misfortune.
Famous musician, philosopher and physician Albert Schweitzer said this, “Reverence for Life affords me my fundamental principle of morality, namely, that good consists in maintaining, assisting, and enhancing life and that to destroy, harm, or to hinder life is evil.”
However people of Afghanistan and of other war-torn countries do not have any such fundamental principle or in my opinion are not even aware that ‘to-live’ is their fundamental right. These countries in Middle East face varied problems of either terrorism or of dominion or both but when it comes to women, they all stand alike. Women in these countries are nothing but an object of lust, fruit-bearer and not even that if they do not have a man in their lives.
How a woman supposed to earn a living if she cannot step out without a male companion related by blood and she doesn’t have any male left in family after losing them to war or terrorism?
P.S. And you probably thought this might have got to do with Osama Bin Laden. Sigh!
P.P.S. I am peeved that it had to be posted under Hollywood Non Current, though I have requested for a separate category for Afghan movies.