The film starring Amitabh Bachchan and Tappsee Pannu sledgehammers the message that when a women say no, she means no. It underlines a woman’s freedom to her own sexuality. pink movie cast; Taapsee Pannu, Kirti Kulhari, Amitabh Bachan, Angad Bedi, Raashul Tandon, vijay Varma, Tushar pandey, Piyush Mishra, Dhritimaan Chtterjee, vinod Nagpal, Dibang pink movie director; Anirudha roy chowdhury All those associated with the making of’pink’, please tack a deep bow; finally, a powerful, brave Hindi mainstream film which focuses on real young women who live real live and deal with thorny day-to-day issues, they young women can wear short skirts or jeans or Tees She can be present at rook concerts. she can be present at rock concerts. she can laugh and reach out to a young man in a friendly fashion. she can have a drink or two in his company. she can even be, shudder, sexually experienced. Hearing the phrase’are you a virgin’ in a Bollywood in a meaningful, non-smirky manner? Fantastic. underlining a women’s freedom to own her sexuality? Priceless. when she says no, it mean only thing. no grabbing. no forcing. Tack that groping hand and mouth away. she isn’t easy. She isn’t person of loose morals. she is not, never, ever, asking for it. That it has taken Bollywood so long to mack a movie which say it so clearly, without beating about the bush, without prevaricating or using obfuscate language, The women have to make a run for it, and one of the young men end up needing stitches in a deep bloody gash above his eye. it doesn’t genius to discover that the political might backing the injured Rajveer(Angad Bedi) and his friend, Dumpy(Raashul Tandon), Vishwa(Tushar Panday) and another fellows(vijay Varma) who was’t there but is happy to engineer and participate in the humiliation of the women, will try and turn and turn the table; insted of being the victims, they will be painted as the aggressors. which her character is gang-raped in a bar; because she wears a short skirt, and has been drinking, she is made out to be a women on the make. something similar happens here, but it is all three women who have to bear the brunt of rage that such male entitlement come with; "aisi ladkiyon ke saath toh aisa hi hota hai". The major weak link in this film is the elderly lawyer played by Amitabh Bachchan.(piyush Mishra takes away some of the sobriety in the court scenes by his unsubtle notes, But he is not so germane to the film’s scheme of things). Deepak sehgall, we are told, is suffering from bipolar disorder, which means mood swings, which means Bachchan alternating between chewing out dialogue and being growly and forced. He tacks on the girls’ case, and we want to cheer because he is the Bachchan and will make everything come right. But because he is Bachchan, the director handles him with kid gloves, and there goes the naturalism with which everyone else is playing their parts so effectively.