Bollywood has had several super hero VFX disasters, but Ra.one is different. This one has a ’HART’ that ticks and connects (somewhat) with viewers on a human level. Obviously, the suspension of disbelief is a given (spoiler: watch Bombay’s VT station building crumble like a pack of cards and Victoria’s statue stumbles down grumpily. A nail in the coffin of the British ’Raj’). Item songs have been in vogue off late. Yes they add tadka to bolster a film’s buzz (remember, Sheila is the one who’s worth crores while Tees Maar Khan emerged a pauper). With Ra.one, one can invent a term Item-Film. Incredulous, absurd story but neatly decorated and sumptuously colored items that ensures a paisa-vasool-feeling for the viewers who had been Tsunamied with the film’s promotions.
Desi Girl Priyanka is craftily saved by macho hero Lucifer (fresh from conquering three Chinese warrior girls, cheesily named ’Iski Lee, Uski Lee, Sabki Lee’) from the clutches of Khalnayak Sanjay Dutt who pulps the iron sword with his hands. Ra.one crushes the rose and chases Sonia (Kareena) and Prateik (Armaan) as they indulge in rash driving and crash through a bus (all unscathed). Ra.one and G.one play ping pong with flying cars and perch on the top of big buildings. G.one defies logic and emerges triumphant in stopping a local train running at the speed of 100 km/hr. Football aided street fight outside Bombay’s international airport is cleaned up by Chitti Rajni sir’s entry, an icing on the electric cake for sure. And yes by the way, there are blessings from Ganpati ji as well.
The father son relationship is what makes Ra.one endearing. Wonder kid Armaan is a super find. He looks and behaves like Harry Potter. In a way he is the hero of the film. While Shahrukh will get all the applause and rewards, the kiddie crowd will take away the empowering feeling that like Lucifer Praeik, even they can control a super hero. Armaan-SRK bonding didn’t need gimmicky special effects and that’s where the ’human connect’ works.
Shahrukh and Kareena’s bonding is a bit of a mixed bag. Shekhar-Sonia chemistry is kinda thanda, G.one-Sonia’s chemistry creates curiosity and is interesting. But in the second half, the emotional bonding tends to take away the focus and the film’s pace slackens. The ’Condom Condom’ joke was needless specially when kids are the prime target group. And why did Kareena want to specialise in spouting and decoding Hindi expletives (she seems to have become a specialist anyways, remember Jab We Met, Golmaal 3 and now Ra.one). Kareena has a one dimensional role. There is a small portion where one gets to see her villainous streak and she is really cool in that. Shahrukh goes all out to woo the classes and masses. He succeeds in a big way. As for Ra.one, well, I prefer Tom Wu’s version to Arjun Rampal’s one. Somehow Tom Wu has a surprise value that makes him look very mean while Arjun lays emphasis on displaying his chiseled physique rather than personify villainy.
The songs have been a big part of the film’s promotions. And they are worth listening for sure as well. But in the film, the songs mostly seem out of place. The situation, for even a Chammak Challo, seems forced. The background score by Vishal-Shekhar is impressive while Resul Pookutty and Anup Dev’s sound is special. Niranjan Iyengar and Kanika Dhillon’s dialogues have a few smart lines (Log Raavan ko is liye baar baar maarte hain kyunki vo kabhi marta nahin hai) but nothing extraordinary. Excellent VFX by Red Chillies makes Indian cinema proud. No penny is spared. The VFX sheen gives Ra.one a RICH feel in all respects. The gaming part is a bit over done but it has a novelty value that will appeal to the kids who live and die for a gaming console.
Ra.one may not be the best film of the year but one can safely say, the money, the promotions and the HART has delivered something worth remembering for sure. Go watch it (as if you wouldn’t have seen it anyways)