Again we became fool by divya ghoshla kumar . It was expected that this movie entertain us as it was in its promotions but it was like yaariyaan . the directors shows something else in the promo and something else in the movie.
by the way the acting of pulkit samrat and yami gautam is pretty good . At the end of the movie they tried to create a good end of the story but they did not succeed because audience wants entertainment as well as the romance . Romance was only seen in the songs .
It was expected that this movie will not be like yaariyaan but it is not .If you want to fully understand the struggles of newcomers without powerful godparents in the Hindi film industry, watch dear Yami Gautam from Vicky Donor(2012) and the very likeable Pulkit Samrat from Fukrey(2013) brave their way through Sanam Re. It is a cringe-worthy film with cringe-worthy pretensions to gravitas and grandeur, amateurish writing and the most ludicrous choreography ever seen in mainstream Bollywood.
Those who planted the label “Jumping Jack” on poor Jeetendra in the 1980s may feel inclined to mail him an apology if they see the hilarious dance steps in Sanam Re. In one scene, actress Urvashi Rautela shakes her ample booty dressed in a white outfit with what seems like macramé trimmings. She leans her back against Pulkit’s body, encircles his neck with her raised arms, jumps in the air, does a mid-air split, then sinks down with both legs spread wide apart. A few seconds after that laughable routine, there she is again, bending to plant both hands on the ground where Pulkit lies, then throwing the rest of her body up in the air in what appears to be an attempt at a hand stand, before descending on his prone body.
I suppose you could liken her to a gymnast performing floor exercises at the Olympics – except that the quality of those moves is so poor that she would be refused entry to gali-level contests.
Sanam Re’s inexplicable choreography is credited to the film’s director, Divya Khosla Kumar, who must be delusional considering that she pays tribute to herself twice within the first few minutes of the film. Divya, who? Did I hear you right? Precisely.
The lady had tried her hand at acting over a decade back before she married Bhushan Kumar, son of T-Series’ founder Gulshan Kumar. She made her directorial debut with 2014’s sleeper hit Yaariyan which some of you who have not seen may still recognise from its signature song by Yo Yo Honey Singh with the truly cerebral lyrics, “Aaj blue hai paani / Paani paani paani paani paani / Aur din bhi sunny / Sunny sunny sunny sunny sunny.”