Soon all the important characters get so interlinked thatit becomes difficult to figure out who’s on whose side. The only thing crystal clear is that Nagre’s life is undersevere threat.It’s a familiar set-up. You can also foresee some of thetwists, but deep down your heart, you still want SubhashNagre to go back to his original shelf. The guy we loved as Bollywood’s Godfather in first two films was the perfect blend of emotional and detached. He didn’t believe in expressing his inner thoughts, but managed to portray a positive picture. Being verbose wasn’t his manner.Bachchan’s dialogue writers make a mistake here. They have given him very superficial lines. He keeps repeatinglines such as ‘jaan se maar dunga’ and ‘main naatak kar raha tha’ which eventually dilutes the essence of him being a miser with words. It hampers his gravitas.