Samajhlo ki Main Akela Hi Hoon... Bade Sarkar to Rasheed Mia who has come all the way from Dubai, but saath mein sathi jaan le ki woh yahan koi lateefa sunane nahin aaya hai. The dawn lights fall on Sarkar in square shape, he sips tea in the soccer, and says the Sarkar his dialogues.
A Sarkar who does not stop anyone from thinking, but stops anyone from doing anything wrong. He does not allow Vishnu to use abusive language in front of Cheeku. He does not force Shankar to marry Avanti. He takes the task of speaking to Avanti about this. He asks for mango pickle in between the serious talk with his men. He threatens his son. He does not allow his son to walk out of the house with Amrita and Cheeku. He cries on the death of his son.
Yesterday I watched Sarkar fourth time, and this time I actually decided to put the review on the mouthshut. Every time I wrote one, but it was just not as good as the movie. This time I am trying, and if I make any mistake, please forgive me.
Chote Sarkar Mashallah!!! He needs three cheers and the same applauds what our dear Bachchan deserves. The background music follows him as he closes the car-door for Katrina. He has to hold the flaps of his coat and pull them in front. And there you know he is definitely not going to stop...
Let me woo
Until my eyes hurt
And you utter those silken words
With your yielding eyes.
He is simply beautiful.
He knows he can’t gulp down when his father screams on the dining table. He has to ask Pooja if he can call her back. He knows he has to shoot his brother. He knows he doesn’t have to return back to America. He knows he has to send Cheeku in. He knows he has to thump down Rasheed in the sea. Believe me, his acts are graceful, and you would fall in love with him. Same I have to say for Katrina, a girl who cannot be more elegant than her. It’s a role that suits her personality completely. A kind of cameo role with lesser dialogues.
Can we really get away with KK? He has those lines around his neck while gawking at his heroine. Like a necklace as gorgeous as he gives one to his heroine. Wow, it’s so pretty! Aapki wife ke liye hai? ‘Rakh.’ And he has those thirsty wits for her.
Little Cheeku roams around in the house on his bicycle... ever wondered why? To vent out the anxiety that prevails in the house. Tanisha is finally good, Nisha Kothari has generated some(++)thing... credit goes to the director Ram Gopal Verma.