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3.4

Summary

Vaaranam Aayiram Movie
nick @nickraman
Nov 25, 2008 10:31 AM, 4814 Views
Vaaranam Aayiram = A thousand claps

Just a day before the film releases, when the best combination of both


Music and Direction suddenly break apart, you think for a minute it’s a


publicity stunt, especially coming from the duo behind MINNALE(2001),


REHNAA HAI TERE DIL MEIN(2001), KAAKA KAAKA(2003), GHARSHANA(2003),


VETTAIYAADU VILAYAADU(2006), and PACHAIKILLI MUTHUCHARAM(2007).


But


after you watch their last film together, it’s really heartening to see


the most beloved combo break apart, even after 7 years. The same thing


happened to Jatin-Lalit back in 2006, when their last release was Aamir


Khan’s Blockbuster film, FANAA.


Back on the film, do yourself a favor and go watch VAARANAM AAYIRAM. Why? Factors are that:


1) Surya - Gautham Menon after the super-hit KAAKA KAAKA(2003)


2) Harris Jayaraj delivers in Music


3) Lyricist Thaamarai and Na. Muthukumar


4) The Cast/Crew.


5) The Screenplay.


All


said, Gautham Menon succeeds with 4/5 factors. The Screenplay is


excellent with a brilliant first half. It’s the second half that drags


a bit and could be easily trimmed down.


Krishnan(Suriya) is in


his deathbed after being diagnosed with lung cancer and seconds before


his death, he requests his son, Surya(Surya again) to see him one last


time. Meanville, the news of his death is conveyed to Surya, now an


Army captain, who suddenly remembers his wonderful time with his father


as well his journey of life.


The moment when the flashback


comes, you’re fastened into your seats and driven by the sheer


amazement of Surya and his body language as both the father and son.


Another thing to point out is the makeup and the grooming of young


Surya’s getup in the 90s(Reminds you alot of Ajith Kumar’s early debut


days ala Kathal Kottai.) The story is well driven and directed and


kudos goes to the dialogue writers for some of Krishnan’s funny liners.


Now


coming to the flaws. One, the second half. The second half starts


promising but then shifts to the Delhi kidnapping case. While it’s


intriguing, it however ends up becoming VETTAIYAADU VILAYAADU II.


Nevertheless, it’s kind of like a build up to his Army career later on.


Another sore point in the story is Divya Spandana’s love declaration to


Surya before the "Anal Maele" song comes up. Also, why isn’t Surya’s


sister not married at all? By Hindu custom, it’s the girl that gets


married first then the boy. Seems Gautham overlooked those.


But those shortcomings don’t bother you because there are a lot of scenes that are enjoyable. Namely the following.


1) Surya’s adulthood


2) Surya’s College life


3) Surya and Meghna(Sameera Reddy’s tamil debut) encounters and Surya wooing over her.


4) The excuse to go to America in order to get the Visa.


5) Getting over the trauma of Meghna


and many more.


Harris


Jayaraj rocks completely with this film as every number syncs very well


with the film. His BGM is top class and will be deeply missed with his


combination with Gautham Menon. Camera [Rathanvelu] and Art [Rajeevan]


are fantastic.


Every one deserves apperciation. In this case,


all hands down to Surya. What a performance and I cannot imagine


Vikram, Vijay, Surya or Ajith [he did in Godfather but not as good as


this though] doing such roles like this. What versataility as both the


youngster and father Krishnan!


Simran also makes her "official"


comeback and we can ignore her Seval completely. As she’s dubbed for


herself for the first time, it makes you wonder after doing all those


ridiculous heroine roles for so long, how long it took her to get her


act together. The same goes for Sameera Reddy. Once propped as an item


girl in Bollywood and in Tollywood, she really shined as the smart


girl, Meghna. Divya Spandana is very good and she’s got the best of the


lot(her role is lengthy amongst the other heroines.)


The movie


isn’t catered for the masses but it’s for those who love Menon’s


presentation and storytelling abilities. For you masses, skip it, for


the rest, please watch! VAARANAM will emerge victorious in the coming


weeks. Had this released in Diwali weekend along with Ajith’s AEGAN and


Bharath’s SEVAL, no doubt it would’ve been a clean boweled for those


films!

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